KAOS, The Review

Kaos, stylized as KAOS, is a comedy series on Netflix that merges Greek and Roman mythology with modern-day twists and irreverent humor. Created by Charlie Covell (of The End of the F**ing World* fame), the series stars an impressive lineup, including Jeff Goldblum as the neurotic and self-obsessed Zeus, Janet McTeer as Hera, Cliff Curtis as a sleazy Poseidon, and David Thewlis as a snide Hades. Released on August 29, 2024, Kaos takes a bold stab at reimagining mythological characters in a dysfunctional, contemporary world, all while delivering biting social commentary.

The show kicks off with Zeus panicking over a wrinkle—yes, a wrinkle—which he interprets as a sign of his impending demise. This wrinkle sets him on a path of paranoia, forcing him to tighten his grip on the human world, all while indulging in his petty, god-like tantrums. Meanwhile, we follow three humans—Orpheus (Killian Scott), Riddy (Aurora Perrineau), and Ari (Leila Farzad)—as they discover their connection to each other and an ancient prophecy that could potentially bring down Zeus’ corrupt reign.

The real charm of Kaos is how it dares to ask big questions: What if gods and religion were merely self-serving constructs, existing solely to prop up the egos of gods? What if myths were nothing more than tales designed to control the masses, forcing subservience to these divine narcissists? Through this lens, the series offers sharp social commentary on the power dynamics of religion and blind devotion, all wrapped up in dark comedy and moments of sheer absurdity.

At first glance, Kaos may seem confusing, especially for those not steeped in Greek mythology. The initial episodes throw a lot at the viewer, and it’s not until Episode 4 that things begin to come together, thanks to the narration of Prometheus (played by the always excellent Stephen Dillane). His storytelling provides much-needed clarity, allowing the show’s broader narrative to unfold as intended. Stick through the first few episodes, and you’ll find the chaos (pun intended) starts to make sense.

Where the series shines is in its ability to humanize the gods, though not in any likable way. These gods are spoiled, selfish, and often sadistic, with Zeus leading the charge in histyrannical, insecure paranoia. Poseidon stands out as a lecherous playboy hanging out on his yacht, abusing his power and lounging in the lap of luxury. The deities are vile, capricious, and delightfully chaotic—think Succession meets American Gods but with a lot more dysfunction and a lot less morality.

The production design of Kaos deserves special mention. From Greek myth-branded cereals in supermarkets to the underworld’s end-of-the-pier comedy club, every detail has been meticulously crafted. The use of color, especially in scenes depicting the underworld, creates a stark visual contrast that sets different realms apart. The show doesn't just rely on its story;
it builds a world that is as intricate as it is absurd, with dark humor laced throughout.

Though not without its flaws—like the occasional over-the-top subplot (cough Cassandra)—Kaos is still a captivating watch. Yes, it’s a tad long, and you might find yourself wishing it was an episode or two shorter, but the payoff is there if you can endure
the initial confusion. Its unique take on mythology, coupled with dark humor and a narrative that forces you to think about religion and devotion in new ways, makes it a standout show. It may not be the next best thing, but Kaos is one of those series that will linger in your mind, long after you've finished watching.

If you’re looking for a thought-provoking, chaotic ride through mythology with a satirical edge, Kaos is worth the plunge. Just remember, the gods aren’t big on morality, and neither is this show.

As always, I look forward to hearing your thoughts in the comments, so let me know what you think.

Ruth.